Peter LaBerge

The Indisputable

FOR BRAD McGARRY
BELLAIRE, OHIO

Inside the house, above the basement
where D.J. bloodies Brad, there is

a white bowl of lemons sick with desire.

Watching this movie based loosely
on his life, I have to start there: sunlight

jeweling the canary fruit. Then, the afternoon
jeweling: an argument over a weed-eater.

Then, one man loving the other. And the other
staging a robbery of the house, chaotic as a negative

scratched to hell with a paperclip.

Across the state, four years earlier
& hours away, I lie

awake again on my grandfather’s daybed.

I wait to jewel in the sun, scrolling through
neat rows of men on an app, notifications

quiet, scrolling

through whole fields of men. The same way
years earlier, I believed

god scrolled through boys wherever I slept

to choose which ones won’t walk home
from the next moon-stained pickup. The next

sunless barn, the next cherry-stained confessional.

After he’s shot Brad, D.J. drives
to the closest lake, scalps

the gun post-dusk. I never knew
Brad & now I never will, but I know this:

some houses

close their mouths while boys are still
on their tongues. I watch D.J. pick up his wife

then his daughter, then call the police.

His wife thumbs the god around her neck. He was
like a brother, D.J. says. Robbery. Below

the waterline, his daughter sits, obedient
in the front stoop of sunlight. A group of women

pool reward money while stapling Brad’s face
to the birches. At dawn, god jams the sun back

into its socket, pops a pill, then falls asleep.